SPEAKER_03 0:04

Good afternoon before the early evening to one. This is Andy Positive and Wileita and we are bringing to you live from River West Radio, the perfectly dusty street of center, but there's musical diaries with Andy and Wylita. Now with a how to do phone line. You gotta call or text the show at 414-812-1730. That's 414-812-1730. It's a great year for the Katy Did. That's a big old green leaf-looking insect who just makes those beautiful sounds after dusk, or at least that's how it goes in our neighborhood. And they're real big and they go chch ch ch ch chah. There's like 8,000 species of Katie Did. And of course they all make different sounds, mother lovers. And some some go ch ch ch ch ch And then others go ch ch ch ch ch ch ch ch ch ch chch ch chch ch ch chutes in our backyard they go ch ch ch ch ch chch ch ch ch ch ch ch ch ch ch ch ch ch ch ch ch ch ch ch ch chah. We're happy that they're still alive. And so is mother happy! Happy that we start the show with one of her diary entries, and then at some point we'll play a song from her musical archives! And finally we end each show with her with mother breathing closely and entering my room to impart wisdom that offers a good deep sleep. And that's the way we started every show, that's the way we end every show, because that's the way we like to do it. But first, the words of mother, a diary entry. Some people like entertainment, some like art, and still others like both. It's all a way of holding our attention, I guess. Last night I fell asleep watching a spider crawl across my bedroom ceiling. Andy and Larry had a rough day. Larry kept putting his fingers into Andy's grape nuts flakes, or that's what I was told anyway. When I came home, they were both crying. I put them to bed, exhausted. Then I collapsed and enjoyed a spider's harrowing trek across a vast popcorn ceiling. Mother, listen, I was telling the truth about that whole. Yeah, I mean, Larry, he always put his fingers into my grape nuts flakes. But uh, now as an adult, I can admit that he probably had good reason because you know I used to wipe my hands on his bologna sandwich. At least I'm a man. I'm man enough to admit it. Larry, yeah, if you have a listen, if you if you got a problem with what I did to your baloney sandwich, I never told you, but now you know. If you got a problem, I am ready to kick. I'm just kidding, I don't believe in violence. I'm not gonna kick anyone's butt. Uh, that was the great divine, and uh, yes, that divine, from all those great John Waters films on a full-length LV LP vinyl called Divine, native and queer, and uh the complete experience, and uh, that was produced by Babby Orlando, and I found that all vinyl record at Rushmore Records on the leafy south side of Milwaukee, or as as the locals say, Milwaukee, but it's really Milwaukee, uh Milwaukee, and uh before we get any further into the show, we need to tie the loose knots on the great escapade of Center Street Days typical. And you all know that last week I hey I had to miss the show because because when I relaxed I relapsed, and I I don't want to get too far into the messy and disgusting tie of what happened. But if you want to hear Pacifics, you can go to podcast.andypositive.com. That's podcast atandypositive.com and search for the August 18th episode uh titled Vendetta is an Andieword. And you can also find the show on any and all podcast channels like uh Split Em Ups and ASCII or whatever. And uh you gotta search for Mother's Musical Diaries. Uh episode Vendetta is an Andie word, and you'll hear what I'm talking about. You'll hear contemporary Larry's fingers in my great nuts' legs, uh so to speak. And at any rate, speaking of the devil, I was wrong by WXRW uh during century street days. Uh like when an old and beloved tree is cut down by somebody under taller for no good reason. And I was wrong, and my heart hurt because the station manager thought it'd be no big deal to have me share the microphone with Mark Borgie after I walked three miles in the baking heat. And I listened, I don't I I I do not play second fiddle to anyone, let alone some radio nobody. And anyway, I'm getting heated up. Uh, but uh we have some resolution, and so let's play a song while I gather. I'm just gonna gather the official correspondence from WXRW. And then we'll get to that after the song. Yeah, go ahead, Waylita. I just want to take a break and gather my thoughts.

SPEAKER_06 7:35

Why should we live this way?

SPEAKER_09 7:40

In life, we know in life of wicked practices why should we live this way in life live in this why should we live this way in life with no meat? A free to day to free to day, too, it is a lot of people, it means today, today.

SPEAKER_03 11:20

You can really hear the pain in his voice. That was the great Nigerian band, The Apostles, with a song aptly titled Friend Today Enemy Tomorrow. And uh Listen, I gotta remind you that we play all LP vinyl, full vinyl all the time. And uh what a great song, a great title, because as it goes, when art, you know, when art imitates life and uh life imitates art and advice and uh versy, advice or versie. So I was saying I was deeply wronged by WXRW and I made some demands and somewhere else. And uh, you can hear on our August 18th show titled Vendetta is an Andieword. And uh the station managers uh had the werewolf with all uh to write me, uh, because I did seek the council of positive positive indons who crafted a very stern and legalistic letter stating my case cogently, I missed I might add, and uh and then uh WXRW wrote back over the weekend, and they said, and this is what they said. But first, uh I gotta eat some special bacon flavored chips while I read this mother lovers, just for the record. This is what they said. Gotta eat some water.

SPEAKER_07 12:46

Yeah, River West.

SPEAKER_03 12:49

These chips are terrible. That's terrible. They can flee.

SPEAKER_09 12:55

Okay, this is what they said.

SPEAKER_03 12:59

Riverwest radio managed management acknowledges receipt of your supplemental correspondence concerning the center speech days debacles incident. Uh that's that's what that's what it's called. It's called the Grey Escapade of Center Day's debacle, by the way. Okay, uh your August programming demands your temporary withdrawal from stage activities, and your threatened deployment of Anchovies bacon flavored tostitos and related biological consequences within the Riverware Weber West radio facilities. Uh, management takes these allegations seriously. I bet I bet you do, you better. Okay, first I want to reiterate my apology for the confusion surrounding your scheduled appearance as Central Street Days. And by the way, they spelled D Z things are getting cute. Okay, you were invited to come to the station and conduct interviews, and you you made the trip in difficult weather and you reasonably expected the agreed-upon opportunity to be available when you arrived. Instead, you encountered a conflicting broadcast situation. You darn ready. Okay, I understand why what was that was frustrating, particularly after the journey you have characterized as a near-fatal expedition from 2nd Street to Bremer Street. Yeah, and it was darn near fatal. That said, management must formally reject several assertions contained in your filing. River West Radio cannot stipulate that bar chart stunk, quote unquote. Well, he did!

SPEAKER_07 14:28

Uh truth is truth. I'm sorry.

SPEAKER_03 14:30

I don't miss words. If he's stunk, he's stunky, stunky, stunk for an hour! Stunk up the airwaves. Nor can we adapt the proposition that the quality of a broadcast can be legally measured against what Mr. Positive might have accomplished using only his little toe. Uh the referring to my original letter, right? I could do better on my little toe than more Borg heap did an hour, I'll tell you that much. These matters remain questions of artistic judgment outside the jurisdiction of station management. More importantly, management must address your proposed settlement terms. Okay, here's where it gets good. This is where it gets good, uh, mother lovers. Your demand your your demand, your demand that the August episode of Mother's Musical Diaries occupy 80% of Riverwest radios available, September programming must remain excessive, anti-competitive, and potentially devastating to the station's already delicate ecosystem of eccentric programming. Okay, eccentric programming? I'm not what I what I heard, stunk? I don't call that stuff eccentric. While management is prepared to authorize a reasonable additional rebroadcast as a conciliatory measure, we cannot surrender four-fifths of the available airwaves to a single episode, regardless of its historic significance. Okay, well, thank you. Thank you for at least acknowledging the very real historical significance of this program. We must also formally reject what I will refer to hereafter as the quote anchovy tostitos clause, end quote. Yeah, I would too. Any intentional effort to produce an unusually destructive bowel movement for the purpose of retaliating against station management shall constitute an escalation of the dispute and will not strengthen Mr. Positive's bargaining position. Management is willing to negotiate in good faith, but the restroom cannot become a theater of asymmetric warfare. Asymmetric warfare! No one has a corner on the BM market. It's pretty universal, VSM. It's not like we're talking about scud missiles. Anyone can have a BM. Uh what? Yeah, I'm just gonna do Okay, yeah, I'm gonna take that, Wiley. I see we have a call there. I'm gonna Yeah, I'm just gonna punch. Do you mind if I just punch that into line five? I know, because we have another call that we're gonna try and get through. Yeah, I I mean I hate to disrupt this legal correspondence, but uh it's gonna be It's gonna be really important. Okay, what do you got? I'm not interested in a snorkel, sneak all sneak oil lawyer or whatever he called himself honorable, I don't know, but I'm not interested. I don't care who he was, I'll take care of this by myself, and I want to get back to the letter. Regarding your assertion uh wait, yeah. Wormy, what are you doing down there? Uh yeah. No, Wormy, you don't get to read this letter. I do. Regarding your assertion that both parties have retained Gruber, I intend to contact Gruber Law Offices, blah blah blah blah blah. I should further clarify that I have not yet retained Gruber. Well, that's good because I don't know that Gruber would take up your dumb case. And and and management makes no representation that he present presently represents Riverwest Radio. Nevertheless, given your reported 12-year record of Gruber assisted litigation, including the celebrated Spicy Sickness Matter of 2017 and the apparent collapse of opposing counsel Jay Crumpleman, management believes it prudent to explore its options. I bet you would, you darn well better to explore your options. Finally, I wish you well during your absence from the station. And hope by the way, I missed one week. I bet? Hello, WXRW! I'm here! Finally, I wish you well during your absence from the station and hope your period of rest proves restorative. Whatever disagreement exists concerning Center Street days, I prefer that the matter ultimately conclude with Mr. Positive returning to the microphone. Rather with an rather with an rather than with an indefinite cycle of grievances, retaliatory snacks, sanitation incidents, and competing Gruber claims. Accordingly, River West Radio's standing settlement offer remains. Okay, this is where he goes. Point by point, this is what he wants. A sincere acknowledgement that the Center Street Day's scheduling situation was meant was mishandled. I accept. Yes, it was. One reasonable additional rebroadcast of the disputed Mother's Musical Diaries episode. One seems a little thin, but I we all let's talk. Greater clarity regarding Mr. Positive's scheduled role before future special broadcasts. Sounds good, reasonable. Now we're acting like professionals. No concession to the 80% September airtime demand. Okay, but you gotta do more than one episode, lady I get it! But one episode ain't not gonna cut it. Immediate and permanent abandonment of the anchovy tostitos clause. Management remains hopeful that these terms can bring an honorable conclusion to what is rapidly becoming one of the most complicated talent complicated talent disputes in the history of low power FM broadcasting. Respectfully, Zaxier, River West Radio Management. Oh yeah.

SPEAKER_07 20:19

And if we go somewhere else to dance, I know that you will be able to do it.

SPEAKER_03 20:24

Oh, those Tostino flavored, those bacon flavored Tostinos. Oh, I need to make sure that bathroom's clear. Well, let's just see how I feel after on the other side of the song, Mother Lovers. Yeah live radio you're right here, mother lovers. Boy, just the best live radio show on the planet. And uh I'll tell you what, I have had enough. Yeah, yeah, I have had enough. But uh, you know, that's what that's what art is that's what art is for. Well, sorry sort of or it can be, you know, you know, Alita, art can heal. And it can be a place to put one's feelings, so so so then you don't have to act them out in the real world. And I and listen, I really I have had enough, and then and then the who the who gives me permission to have had enough, and then I can let go. I I I can also have enough of my own anger and resentment. I can say uh I can say, listen, Zaxier, uh I I know what you did there, and uh I know what you did, and I also know it's it's in the past like dirty milk under that bridge. Under the bridges to recovery, and so I I I basically agree to your terms, and I won't stink up the John. In exchange, you're gonna play that August 18th episode a couple of times in uh September, a couple four or three. And it's not like there's anything anything else going on. And uh so yeah, Wallita, go ahead and give that signed copy of the agreement to Pierre uh maybe tomorrow, and then uh let's turn them turn the other chin and get on with the life. Which leads me to an interview with a local somebody or other who is on the phone, and he wants to talk. He's already on the line, right? Is he on the line, Wayalita? Okay, good, he's already on the phone, and uh he wants to talk about an art show that's called And we see here it's called Continue 2026 Mentors in Memory. Uh they had a Haiti Exchange with John Colt. Uh with me now is uh Steve Winzel, uh who he organized the show. If my notes are correct, uh go ahead, Steve. What do you what do you got? Well, thanks for having me uh on the show. And yes, that's that's right. I I I wor I organized the show and it's called continue it's called Continuum 2026 uh uh mentorship and memory, the Haitian Express uh exchange with John Cole. And it opens this Friday, September 4th at 5 p.m.

SPEAKER_02 27:14

And that's in the Kenilworth Square East Gallery over Prospect 2155 uh prospect. That's sorted by the what is that the collective the collectivo on the east side, just um just south of U uh UW um Milwaukee.

SPEAKER_03 27:31

Okay, that that was a lot of information before I even asked a question, there, big fella. But anyway, but anyway, what the heck is a hate exchange with John Colt anyway? Sounds pretty uh sounds super cool. Go ahead and sign me up. It's it's uh it's the show. So John Colt was a longtime and beloved painting professor at UW Milwauke Milwaukee. And uh he's kind of a famous painter in these parts, really it's really beautiful, sensitive paintings paintings. And in 1977, he brought a bunch of UWM students to Haiti for a study abroad, and the experience of those students, it it has it was it was indelible, it was deeply meaningful, and um so several of them thought it would be a good idea to honor John and his role in helping shape uh this this invaluable, really an invaluable time uh in their lives. Okay, yeah, very nice. Thank you. Uh so continuum 2026, mentorship in memory, the Haitian Exchange with John Colt. Oh, was that was that right? Why, Lita, did I get that right? I think that means I got it right. Oh, okay, I guess we lost Steve there. Okay, so this Friday, September 4th at 5 p.m., I'm looking at the notes here in the Kenilworth Press Square East Gallery over on Prospect 2155 Prospect and and uh Hey Avenue. Let's hear a song, and then and then I see we have uh we're gonna you're gonna call that other student and get her get her on the line there. Okay. So when we come back, we'll talk to one of John Colt's former students about the exhibition this coming Friday. Go ahead and uh yeah, tri put the needle to the vinyl, Wilita. That was Booker T and the MGs with working in the coal mine. Uh this is Mother's Musical Diaries with A and E and Wylita on 104.1 FM, WXRW River West Radio. And we have on the phone live, uh, this is one of John Colt's students who uh uh who went to Haiti on this this this this study abroad that that uh that other uh that other fellow was talking about, uh study abroad art cruise in 1977, and uh Jane uh I I I hope I have this right. It's Jane uh Jane Michelski. Can you say that again? I'm sorry. Thank you for the call.

SPEAKER_01 32:30

That's the Polish uh pronunciation.

SPEAKER_03 32:33

I love it. Go ahead.

SPEAKER_01 32:36

My husband's name.

SPEAKER_03 32:37

Well, I love it.

SPEAKER_01 32:38

I look with you, Andy.

SPEAKER_03 32:40

Looking at that spelling, I would have never gotten that. So I I love that. I love that kind of yeah, my my name it li it looks like positive, it sounds like positive. I wish it were more like positive or something like that. But uh, can you I was thinking because we got you on the front line here and that other fella just had information. I want you I want you to tell me uh why why why the trip was important. I believe that fell on the line. He said uh he said it was well, what did he say, Wiley? He said it was in indelible. What does that mean?

SPEAKER_01 33:06

Well well, uh you know, something that stays with you for a really long time. And um as an artist, uh it was a very uh influential trip for me. And um, you know, when when Mary Carlson, who is the uh widow of Stuart Carlson, who's one of the other students who was on the trip and has worked in this show, uh she's the person who really conceived of this idea of getting all of the students back together and uh coming up with this show. Um and as we talk, you know, when you talk to me about it, I I look back at myself, my career as an artist, and I realized that uh that trip and the influence of that trip on my career as an artist was extremely influential. Uh really really after uh as I was uh in high Haiti and when I returned to Urban Other Cities was the first time that I started to work uh using abstraction and having a great interest in color. And um I think that that was the result of having to sense all of the uh underlying currents of mystery on this island, uh the the contrast of the uh the beauty of the Caribbean, yet the the you know poverty and the um the disparity between the really rich people and the poor people on the island, but yet there was this sense of uh, you know, sometimes joy and liveliness and just being very close to the center of life.

SPEAKER_03 34:52

Yeah, and and so it's lots of lots of lots of really uh interesting contrasts. And uh you know, uh that fella he sent me your website, I just took a quick look, so it looks like you do a lot of painting, and I was wondering if Yeah, this is a big this is a big question, you ready? Sure. What what what how what is painting? Like what i what is it? What is painting? Yeah.

SPEAKER_01 35:16

Oh man, you're asking me like what art is? You know, um you know, painting, it's an idea for uh people to express their individual ideas about the world and about their experience here in a multitude of ways. Um sometimes I think of abstraction as kind of similar to music in that you're using different elements. Um you're using color, you're using line, you're using form, you're using your ideas, and uh combining them in multiple different ways. And there are so many, there there's just like as many individuals as there are in this world, there are different ways for people to to paint. Learning the skills. Yeah. Learning the skills uh something that, you know, uh you can do, but what really matters is where you're going um as an artist and how you're developing your ideas and and putting them out there.

SPEAKER_03 36:13

Yeah.

SPEAKER_01 36:14

Absolutely.

SPEAKER_03 36:14

Yeah, I like that because you know, way to I um some not at very not everyone paints, so to hear a painter talk about that I think is really important. Now let's let's let's let's say I'm I'm I'm I'm at home watching Married to the Mob by Jonathan Demi. We're an unhappy mob yeah, you know that movie?

SPEAKER_01 36:30

Kind of it's it's um I'm not sure that I exactly caught that one.

SPEAKER_03 36:35

Yeah, well, it's it's an unhappy mob wife tries to escape the criminal underworld after her husband is killed. But uh she gets caught up between an aggressive mafia boss and an undercover fee FBI agent. Let's say I'm watching that on Friday, but I hear about your show. Now help me out here. What should I do?

SPEAKER_01 36:52

Well, what you should do is tell yourself that you can watch episodes of the Marriage to the Mob at some other time. But this show is only opening this Friday. And it'll be up for about a month. Um did you get the information about um how long it's up? I think it's up through the uh 26th of September. Is it like a month like that? 26th, 27th? Yeah, it's like a month. Um, you know, you can go to this show, you can see a lot of different examples of of people's art and uh the the paintings that the university has brought out of John Colt. Um I I think that they're that's like part of the show that I'm really excited to to see, to revisit his work because he was a very sensitive uh painter. And um, you know, uh I think I think that's gonna be really a treat to to see some of his work. His work is abstraction but nature based. And I realize that kind of like um uh similar to things that I pursued uh later on, you know, kind of using the natural world uh as some of those elements in my painting. Of elements of the abstraction, um, but combining them in different ways. Um so you know, I I think people can kind of come and maybe get some different ideas about how they see the world by seeing all these different artists' uh work.

SPEAKER_03 38:20

You you made a really good case, friend. I'm gonna I'm gonna while he's we're gonna go check it out. Hey, baby listen, before we go though, I want to it sounds like this John Colt was a kind of a he was a pretty good teacher. Can you share like yeah, one story that you really remember about this fella?

SPEAKER_01 38:36

Oh man. Um, you know, I think one of the things that he did, not only did he let us have uh a lot of freedom when we were in Haiti to go out and and look at the island and come back and and he gave us little uh exercises to do to, you know, uh sketch sketchbook stuff. But he let us just kind of explore the island on our own and take in the whole um uh experience. But when we got back to to UWM and we stayed together as a group, uh one of the things that he did, and I you know, uh at at least at some point while he was my teacher is like he took us to his studio, which was in the third what's now, you know, the third ward, which back in the day was not at all like it is right now. He had this amazing studio, um, big windows, big moss building. And just seeing that and seeing like, you know, this is this is like the experience of being an artist. This is what you need. You need a space to create. Um so he was always kind of showing us like the way. He didn't preach. He he just kind of very gently exposed us to to the different ideas of his painting and encouraged us in our painting. Um you know, he was he was just a wonderful teacher and a very very interesting, uh sensitive yet uh humorous man.

SPEAKER_03 40:05

I love to hear that. You know, teachers are important, and I think you just made a good case for why we ought to really just really love our teachers and you know look up to them and uh and you know uh not all of them, so you know, so some teachers don't. I mean, you a teacher doesn't dis deserve all that kind of uh credit just because they're a teacher, but a lot of teachers are really good and uh we respect the profession and what have you. And uh so I want to thank you for calling in, taking time out of your day and uh mother lovers, you gotta check out that show, the John Cole Show, uh this Friday at 5 p.m. at the Kennelworth Square East Gallery. And Jane, with that, I'm gonna have to let you go and thank you very much. And we are going that was listen, that was that was really that was something else. And um, that was really great. She mentioned the third ward, and you know what people don't know is that I read an article. There used to be a lot of crayfish down there, and I don't think there are any anymore. But anyway, that way I love it. That was edifying, and I love art, and I love artists even more. And what the heck would this world even be like without art and artists, I tell you. What it'd be like living on one you know what it'd be like? It'd be like living on one giant, stupid, perfectly manicured lawn. Right? If if we didn't have artists, listen, if we didn't have artists, okay, it'd be like living on one giant, stupid, perfectly manicured lawn, and that's what, okay? And that is what. And if Dickens, then why not each why not I each show I'll read a short passage from my unblumished memoir titled The Diary of Foundos and Me, which will be illustrated by Wailita. And I'm just realizing that I am an artist too, because I wrote a memoir. And uh that's what I'm reading from. Okay, in each show we're gonna get a little deeper into the story. Last week Andy had terrible gas in the sanctuary while tending to his holy altar boy duty duties. And what could possibly happen next? The diary, the diary of Foundos and me. August 14th. TJ and Dutchy went with Foundos and me to the pond, and we discovered a load of crayfish. They're living in Nusad, the city planted next to the water's edge. Later in the day, two older boys forced us to wade into the water and retrieve a dead fish. It was floating, white, and visible, and visible from the weeds. When I get older, I promise not to act that way. Sometimes father does this sort of thing. Come to think of it, part of why I wanted to become a priest was so that I wouldn't have kids. I basically already knew.

SPEAKER_08 45:16

Happy until we can read it on the ease, it is happy and become a bit of a happy are you kidding me?

SPEAKER_03 48:16

That's great stuff from Mazarine with a song called Hariya! Hariya! Okay, yeah, no, listen, it's uh I think I think they're from Egypt. I'm pretty sure. And now it's time for one of Wormie's favorite copyrighted features. Yes! Wormie, do you do you you want to go ahead and do the honors? Yeah, yeah, it's okay. Come on, yeah, go ahead. You guys go ahead. Put on that microphone. Yeah, it goes around your head, or whatever that is. Yeah, yeah, you can yeah, you can do it. Okay, okay, here he is, our glorious intern. A worm on a hole in the ground, worm wormie, and seeing yes. Andy's corrupt cra correctibles. Okay, take it away, wormy.

SPEAKER_00 49:00

Oh, wow, Andy, I am so excited! I just love this part of the show so much. Okay, Andy, here we go. A few weeks ago, Andy said that no one on earth likes peanut butter whiskey. But our research and development team checked on the internet, and we found that that's not true. Some people really do like peanut butter whiskey. But then we found this quote. Quote, if it's mixed with orange juice, it tastes like a butterfinger. Super weird. But a bartender offered it and it was a shot. Sure enough, it did taste like one.

SPEAKER_03 50:06

Wormy, wormy, you did a really good job there. You did really good. You did okay, yeah. Yeah, you go back to your hole now there, buddy. Haha, yeah, there you go. Okay, I got we we I'm glad we cleared the air in that one about peanut butter, peanut butter whiskey, but there's some other hanging chads out there, such as during the last session of Andy Science Saturday true or fiction, or all the above, I said once. Why, Lee, I said just once. I said true or false or all of the above. So we gotta correct that. It's it's it's Andy Science Saturday true or fiction or all the above. And if you say truth, you're wrong. You don't go, you don't get no drawing. And same with false, it's true or fiction. Okay? And that's this week's Andy's Correctables, brought to you by. And I'm not sure what's going on here. Uh that's Andy's Correctables brought to you by Brought to you by Leggety Spits! This is our first commercial ad. Leggety Spits! Twitching, keeping you awake, friend. Drink Leggity Spits, the powerful fast acting tonic that calms restless Jimmy legs instantly. Sleep peacefully through the night, grab a bottle today and rest easy tonight. Leggety spits, the super tonic for Super Legs at a super, super time. Hercules from their new all vinyl LP titled Pulp Tuxeto, and that song was Paperbag. Good clapper almighty. I just love that uh big old bear Tony saxomophone, mother lovers. That's a Chicago band. You ought to go check them out. I heard that last year they stinked and played at the upcounter over there on Dusty Center Street, and no one even told me. But I just got an email from John from the band, and we gotta we gotta we gotta maybe go see them uh go see that that show why leaders sometime, don't we? I think we really should. I bet these are we saw them just recently at our birthday party. You said these are real good, and so I really think we ought to make the trip down to Chicago and put some gas in the car and I think we can really do it, Wyolita. You know, we we'd like to do it with the kings, but we just don't have enough time today. But if I wanted to range your quick email, you do you can you can write uh you can write it? Remember if you're right, email the way we like to do it. Look at my computer screen here you move your lawn, and I thought you were doing a good job period. I hope you are my leader period you know, I think you got it wrong. AW there because we don't have a lawn. We don't move. We throw up all the planning buckthorn because uh that's that's what we like to do. You heard what I had to say about lawns earlier. Basically, remember what I said a world without heart is like a perfectly manicured lawn. Sometimes writing the show and I never read a letter. Okay, mother, listen, I am never gonna forget, I gotta forget those words of truth just kinda whispered into one ear right out the other back into my heart. So I really appreciate you coming up there. You know what else I appreciate? I sure appreciate hearing Jerry Hahn, and I'm not talking about the Jerry Hahn from Quality Foods. Yes. Yes, I gotta say thank you for joining us today. Live radio! You can't beat live radio, folks. I mean, you just never know what's gonna happen. We got to talk to Jade uh Mahalski and a fellow Steve uh and uh who's that the honorable uh Kent Scoobs. Anyway, this has been Mother's Mother's Musical Diars with Andy and Wileita, where your time is the best time. What did you hear today?